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It's a quiet, banal scene that many people coming out of a depressive episode might recognize. "Inside" kicks off with Burnham reentering the same small studio space he used for the end of "Make Happy," when the 2016 Netflix special transitioned from the live stage to Burnham suddenly sitting down at his piano by himself to sing one final song for the at-home audience. People experiencing depression often stop doing basic self-care tasks, like showering or laundry or brushing their teeth. As someone who has devoted time, energy, and years of research into parasocial relationships, I felt almost like this song was made for me, that Burnham and I do have so much in common. Inside is a tricky work that for all its boundary-crossing remains in the end a comedy in the spirit of neurotic, self-loathing stand-up. Burnham's earlier Netflix specials and comedy albums. Relieved to be done? But he meant to knock the water over, yeah yeah yeah, art is a lie nothing is real. As we explained in this breakdown of 31 details you might have missed in "Inside," Bo Burnham's newest special is a poioumenon a type of artistic work that tells the story of its own creation. Well, well, buddy you found it, now come out with your hands up we've got you surrounded.". After more sung repetitions of get your fuckin hands up, Burnham says, Get up. @TheWoodMother made a video about how Burnham's "Inside" is its own poioumenon, which led to his first viral video on YouTube, written in 2006, is about how his whole family thinks he's gay, defines depersonalization-derealization disorder, "critical window for action to prevent the effects of global warming from becoming irreversible.". Might not help but still it couldn't hurt. This is when the musical numbers (and in-between skits) become much more grim. If "All Eyes on Me" sounds disconcertingly comforting to you, it could be because you can recognize the mental symptoms of a mood disorder like depression. All rights reserved. Known as "Art is a Lie, Nothing is Real," there's a bit Burnham did at the start of his 2013 special "what." He is not talking about it very much. He grabs the camera and swings it around in a circle as the song enters another chorus, and a fake audience cheers in the background. BURNHAM: (Singing) Could I interest you in everything all of the time, a little bit of everything all of the time? At first hearing, this is a simple set of lyrics about the way kids deal with struggles throughout adolescence, particularly things like anxiety and depression. WebBo Burnham's new Netflix comedy special "Inside" is jam-packed with references to his previous work. Then he moves into a new layer of reaction, where he responds to that previous comment. he sings as he refers to his birth name. Well now the shots are reversed. See our analysis of the end of the special, and why Burnham's analogy for depression works so well. With electro-pop social commentary, bleak humour and sock-puppet debates, the comics lockdown creation is astonishing. Other artists have made works on the wavelength of Repeat Stuff, but few creators with a platform as large as Burnhams return to the topic over and over, touching on it in almost all of their works. MARTIN: And it's deep, too. 1 on Billboards comedy albums chart and eventually climbed to No. He takes it, and Burnham cries robotically as a tinny version of the song about being stuck in the room plays. The comedy special perfectly encapsulated the world's collective confusion, frustration, and exhaustion amid ongoing pandemic lockdowns, bringing a quirky spin to the ongoing existential terror that was the year 2020. He says his goal had been to complete filming before his 30th birthday. Got it? His hair and beard were shorter, and he was full of inspired energy. Its folly to duplicate the feel of a live set, so why not fully adjust to the screen and try to make something as visually ambitious as a feature? Tell us a little bit more about that. Im talking to you. The song's melody is oddly soothing, and the lyrics are a sly manifestation of the way depression convinces you to stay in its abyss ("It's almost over, it's just begun. The song is like having a religious experience with your own mental disorder. Initially, this seems like a pretty standard takedown of the basic bitch stereotype co-opted from Black Twitter, until the aspect ratio widens and Burnham sings a shockingly personal, emotional caption from the same feed. Photograph: Netflix Its a measure of the quality of Inside 1.0 that this stuff could end up on the cutting-room floor. .] But we weren't. The comedians lifetime online explains the heart of most of his new songs, I made you some content, comedian Bo Burnham sings in the opening moments of his new Netflix special, Inside. Good. It's an emergence from the darkness. At just 20 years old, Burnham was a guest alongside Judd Apatow, Marc Maron, Ray Romano, and Garry Shandling. And you know what? Viewer discretion is advised. But during the bridge of the song, he imagines a post from a woman dedicated to her dead mother, and the aspect ratio on the video widens. I cant say how Burnham thinks or feels with any authority, but as text and form-driven comedy, Inside urges the audience to reflect on how they interact with creators. Burnhams 2013 special, what., culminates in Burnham, the performer, reacting to pre-recorded versions of himself playing people from his life reacting to his work and fame, trying to capitalize on their tenuous relationship with him. As he shows in this new sketch, he's aware at a meta level that simply trying to get ahead of the criticism that could be tossed his way is itself a performance sometimes. Netflix Fifteen years later, Burnham found himself sheltering in place during the COVID-19 pandemic and decided to sit back down at his piano and see if he could once again entertain the world from the claustrophobic confines of a single room. It's conscious of self. The special is set almost entirely in one cluttered room. The performer, along with the record label and brand deals, encourage a parasocial relationship for increased profits. But now Burnham is back. . Mid-song, a spotlight turns on Burnham and shows him completely naked as a voice sings: "Well, well, look who's inside again. It's as if Burnham knows there are valid criticisms of him that haven't really stuck in the public discourse around his work. "Everything that once was sad is somehow funny now, the Holocaust and 9/11, that s---'s funny, 24-7, 'cause tragedy will be exclusively joked about, because my empathy iss bumming me out," he sang. That's a really clever, fun little rhyme in this, you know, kind of heavy song. "I was a kid who was stuck in his room, there isn't much more to say about it. Hiding a mysterious past, a mother lives like a nameless fugitive with her daughter as they make hotels their home and see everyone else as a threat. Sitting in the meeting room, not making a sound becomes the perceived 24/7 access fans have to DM you, reply to you, ask you questions. That quiet simplicity doesn't feel like a relief, but it is. Most creator-made content online is available for free, meaning creators usually have to rely on their fans for income via crowdfunding like Patreon. And it's important to remember, you know, this is a piece of theater. BO BURNHAM: (Singing) If you'd have told me a year ago that I'd be locked inside of my home, I would have told you a year ago, interesting, now leave me alone. For the song "Comedy," Burnham adopts a persona adjacent to his real life self a white male comedian who is driven to try and help make the world a better place. It's prison. "And I spent that time trying to improve myself mentally. WebBo's transcripts on Scraps From The Loft. ", "I do not think my intention was homophobic, but what is the implicit comedy of that song if you chase it all the way down? And now depression has its grips in him. Its easy to see Unpaid Intern as one scene and the reaction videos as another, but in the lens of parasocial relationships, digital media, and workers rights, the song and the reactions work as an analysis for another sort of labor exploitation: content creation. The question is now, Will you support Wheat Thins in the fight against Lyme disease?). Burnhams online success and an awareness of what kind of his audiences perceived closeness made the comedian key to one of the most prominent discussions in a creator- and influencer-driven era of media: the idea of parasocial relationships. "Truly, it's like, for a 16-year-old kid in 2006, it's not bad. Still, its difficult not to be lulled back into, again, this absolute banger. The piece also highlights Bos anxieties with becoming older and his legacy as a comedian. NPR transcripts are created on a rush deadline by an NPR contractor. He tries to talk into the microphone, giving his audience a one-year update. Let's take a closer look at just a few of those bubbles, shall we? Some of the things he mentions that give him "that funny feeling" include discount Etsy agitprop (aka communist-themed merchandise) and the Pepsi halftime show. "Goodbye sadness, hello jokes!". BURNHAM: (Singing) Start a rumor, buy a broom or send a death threat to a Boomer. Some of the narrative of the show can be indulgently overheated, playing into clichs about the process of the brooding artist, but Burnham has anticipated this and other criticisms, and integrated them into the special, including the idea that drawing attention to potential flaws fixes them. So let's dive into "Inside" and take a closer look at nearly every song and sketch in Burnham's special. It's as if Burnham is showing how wholesale judgments about the way people choose to use social media can gloss over earnest, genuine expressions of love and grief being shared online. . On the other two sides of that question ("no" and "not sure") the flowchart asks if it could be "interpreted" as mean (if so, then it's "not funny") or if it "punches down.". (The question is no longer, Do you want to buy Wheat Thins?, for example. Inside has been making waves for comedy fans, similar to the ways previous landmark comedy specials like Hannah Gadsbys Nanette or Tig Notaros Live (aka Hello, I Have Cancer) have. MARTIN: Well, that being said, Lynda, like, what song do you want to go out on? I mean, honestly, he's saying a lot right there. Burnham skewers himself as a virtue-signaling ally with a white-savior complex, a bully and an egoist who draws a Venn diagram and locates himself in the overlap between Weird Al and Malcolm X. It chronicles Burnhams life during the pandemic and his journey creating the special. Now, five years later, Burnham's new parody song is digging even deeper at the philosophical question of whether or not it's appropriate to be creating comedy during a horrifyingly raw period of tragedy like the COVID-19 pandemic and the social reckoning that followed George Floyd's murder. Burnham reacts to his reaction of the song, this time saying, Im being a little pretentious. Inside takes topics discussed academically, analytically, and delivers them to a new audience through the form of a comedy special by a widely beloved performer. The arrogance is taught or it was cultivated. Under the TV section, he has "adults playing twister" (something he referenced in "Make Happy" when he said that celebrity lip-syncing battles were the "end of culture") and "9 season love letter to corporate labor" (which is likely referencing "The Office"). Its horrific.". But, of course, it tangles that right back up; this emotional post was, ultimately, still Content. This plays almost like a glitch and goes unexplained until later in the special when a sketch plays out with Burnham as a Twitch streamer who is testing out a game called "INSIDE" (in which the player has to have a Bo Burnham video game character do things like cry, play the piano, and find a flashlight in order to complete their day). "The quiet comprehending of the ending of it all," is another of Burnham's lyrics in this song that seems to speak to the idea that civilization is nearing collapse, and also touches on suicidal ideation. The whole video is filmed like one big thirst trap as he sweats and works out. Might not help, but still, it couldn't hurt.". Instead of working his muscles at open mics or in improv, Burnham uploaded joke songs to the platform in 2006. He also costarred in the Oscar-winning movie "Promising Young Woman," filmed in 2019. Burnham spoofs a PewDiePie-like figure a YouTuber who narrates his playing of a video game with a dead-eyed smugness, as shown in an image at the bottom-right corner of the screen. "And so, today, I'm gonna try just getting up, sitting down, going back to work. And the biggest risk Burnham takes in the show is letting his emotional side loose, but not before cracking a ton of jokes. Don't overthink this, look in my eye don't be scared, don't be shy, come on in the water's fine."). He doesn't really bother with any kind of transitions. Yes, Amazon has a pre-order set up for the album on Vinyl. Coined in 1956 by researchers Donald Horton and Richard Wohl, the term initially was used to analyze relationships between news anchors who spoke directly to the audience and that audience itself. But the cultural standards of what is appropriate comedy and also the inner standards of my own mind have changed rapidly since I was 16. Inside doesnt give clear answers like parasocial relationships good or parasocial relationships bad, because those answers do not, and cannot, exist. The penultimate song "All Eyes on Me" makes for a particularly powerful moment. But it doesn't. A series of eerie events thrusts an unlikely trio (John Boyega, Jamie Foxx and Teyonah Parris) onto the trail of a nefarious government conspiracy. Its a stupid song, and, uh, it doesnt really mean anything. The video continues. In the same way that earlier vocal distortion represented God, the effect on his voice in "All Eyes on Me" seems to signal some omniscient force outside of Burnham. Now we've come full circle from the start of the special, when Burnham sang about how he's been depressed and decided to try just getting up, sitting down, and going back to work. Bo Burnham: Inside is a devastating portrait of the actor-director-singer-comedian's dysfunctional interiority and 2020's unyielding assault on mental and social health. Each of the songs from the first half of the special are in line with Burnham's earlier Netflix specials and comedy albums. But what is it exactly - a concert, a comedy special? He had a role in the film "Promising Young Woman." "They say it's like the 'me' generation. With menacing horror movie sound effects and hectic, dreamy camerawork, what becomes clear is Burnhams title has a double meaning: referring to being inside not just a room, but also his head. When you're a kid and you're stuck in your room, you'll do any old s--- to get out of it.". Thematically, it deals with the events of 2020, rising wealth inequality, racial injustice, isolation, mental health, social media, and technologys role in our lives. But on the other hand, it is lyrically so playful. Simply smiling at the irony of watching his own movie come to life while he's still inside? He was only 16. Disclosure: Mathias Dpfner, CEO of Business Insider's parent company, Axel Springer, is a Netflix board member. MARTIN: And I understand you were saying that it moves between genres. The songs from the special were released on streaming platforms on June 10, 2021. The album peaked at #7 on the Billboard 200 chart, #1 on the Comedy Albums chart, and #18 on the Independent Albums chart. Good. Years later, the comedian told NPR's Terry Gross that performing the special was so tough that he was having panic attacks on stage. Under the movies section, there's a bubble that says "sequel to classic comedy that everyone watches and then pretends never happened" and "Thor's comebacks.". And so I think he's always had that stubborn insistence on holding both of those things in his head at the same time. Even when confronted with works that criticize parasocial attachment, its difficult for fans not to feel emotionally connected to performers they admire. The fun thing about this is he started writing it and recording it early on, so you get to see clips of him singing it both, you know, with the short hair and with the long hair - when he had just started this special and when he was finishing it. Hes bedraggled, increasingly unshaven, growing a Rasputin-like beard. For fans who struggle with panic attacks (myself included) its a comfort to see yourself represented in an artist whose work you respect. Self-awareness does not absolve anyone of anything, he says. But Burnham doesn't put the bottle down right, and it falls off the stool. He is leaving it to speak for itself in terms of what it says about isolation and sadness. Not a comedy per se, but a masterpiece nonetheless. Burnham quickly shifts from the song to a reaction video of the song itself in the style of a YouTuber or Twitch streamer. Underneath the Steve Martin-like formal trickery has always beaten the heaving heart of a flamboyantly dramatic theater kid. Throughout "Inside," there's a huge variety of light and background set-ups used, so it seems unlikely that this particular cloud-scape was just randomly chosen twice. This sketch, like the "White Woman Instagram" song, shows one of Burnham's writing techniques of bringing a common Internet culture into a fictionalized bit. By keeping that reveal until the end of the special, Burnham is dropping a hammer on the actual at-home audience, letting us know why his mental health has hit an ATL, as he calls it ("all time low"). It's like the mental despair of the last year has turned into a comfort. "And so today I'm gonna try just getting up, sitting down, going back to work. It's so good to hear your voice. And did you have any favorites? Burnham's career as a young, white, male comedian has often felt distinct from his peers because of the amount of public self-reflection and acknowledgment of his own privileges that he does on stage and off screen. The voices of the characters eventually blend together to tell the live Burnham on stage, We think we know you.. BURNHAM: (Singing) Does anybody want to joke when no one's laughing in the background? And I don't think that I can handle this right now. And we might. Burnham is an extraordinary actor, and "Inside" often feels like we're watching the intimate, real interior life of an artist. One of the most encouraging developments in comedy over the past decade has been the growing directorial ambition of stand-up specials. Released on May 30, 2021, Bo Burnham wrote, recorded, directed, and produced Inside while in lockdown during the COVID-19 pandemic of 2020. Disclosure: Mathias Dpfner, CEO of Business Insider's parent company, Axel Springer, is a Netflix board member. The structured movements of the last hour and half fall away as Burnham snaps at the audience: "Get up. He, for example, it starts off with him rhyming carpool karaoke, which is a segment on James Corden's show, with Steve Aoki, who's a DJ. During the last 15 minutes of "Make Happy," Burnham turns the comedy switch down a bit and begins talking to the audience about how his comedy is almost always about performing itself because he thinks people are, at all times, doing a "performance" for one another. And while its an ominous portrait of the isolation of the pandemic, theres hope in its existence: Written, designed and shot by Burnham over the last year inside a single room, it illustrates that theres no greater inspiration than limitations. And I'm just wondering, like, how would you describe that? Burnham spent his teen years doing theater and songwriting, which led to his first viral video on YouTube a song he now likely categorizes as "offensive.". But, like so many other plans and hopes people had in the early months of the pandemic, that goal proved unattainable. The scene cuts to black and we see Burnham waking up in his small pull-out couch bed, bookending the section of the special that started when him going to sleep. I don't think it's perfectly morally defendable.". This is especially true for Patreon campaigns that give fans direct access to creators on platforms like Discord. Back in 2010, Burnham appeared on Showtime's "The Green Room," a comics round table hosted by Paul Provenza. You can stream "Inside" on Netflix now, and see our ranking of all 20 original songs from the special here. HOLMES: Yeah. Please check your email to find a confirmation email, and follow the steps to confirm your humanity. From the very beginning of "Inside," Burnham makes it clear that the narrative arc of the special will be self-referential. Parasocial relationships can be positive too, as outlined in culture critic Stitchs essay On Parasocial Relationships and the Boundaries of Celebrity for Teen Vogue. "You say the ocean's rising, like I give a s---, you say the whole world's ending, honey it already did, you're not gonna slow it, heaven knows you tried," he sings. I'm talking to you, get the f--- up.". Now get inside.". For all the ways Burnham had been desperate to leave the confines of his studio, now that he's able to go back out into the world (and onto a real stage), he's terrified. He takes a break in the song to talk about how he was having panic attacks on stage while touring the "Make Happy" special, and so he decided to stop doing live shows. When we see it again towards the end of the special, it's from a new camera angle. Bo Burnham's new Netflix comedy special "Inside" is jam-packed with references to his previous work. WebA Girl and an Astronaut. Mirroring the earlier scene where Burnham went to sleep, now Burnham is shown "waking up.". And like unpaid interns, most working artists cant afford a mortgage (and yeah, probably torrent a porn). During that taping, Burnham said his favorite comic at the time was Hans Teeuwen, a "Dutch absurdist," who has a routine with a sock puppet that eats a candy bar as Teeuwen sings. Bo Burnham: INSIDE | Trailer - YouTube 0:00 / 2:09 The following content may contain suicide or self-harm topics. "Problematic" is a roller coaster of self-awareness, masochism, and parody. Many of his songs begin seriously, then shift into the joke, but this one doesnt. The aesthetic telegraphs authenticity and vulnerability, but the specials stunning final shots reveal the misdirection at work, encouraging skepticism of the performativity of such realism. That cloud scene was projected onto Burnham during the section of "Comedy" when Burnham stood up right after the God-like voice had given him his directive to "heal the world with comedy." WebOn a budget. "Inside" feels like the creative culmination of Bo Burnham's career over the last 15 years, starting with his first viral YouTube video in 2006. Though it does have a twist. This is a heartbreaking chiding coming from Burnham's own distorted voice, as if he's shaming himself for sinking back into that mental state. Burnham then kicks back into song, still addressing his audience, who seem unsure of whether to laugh, applaud, or sit somberly in their chairs. ", He then pulls the same joke again, letting the song play after the audience's applause so it seems like a mistake. HOLMES: That was NPR's Linda Holmes reviewing Bo Burnham's new Netflix special "Inside." Today We'll Talk About That Day Open wide.. Its a feat, the work of a gifted experimentalist whose craft has caught up to his talent. HOLMES: Yeah. And notably, Burnhams work focuses on parasocial relationships not from the perspective of the audience, but the perspective of the performer.Inside depicts how being a creator can feel: you are a cult leader, you are holding your audience hostage, your audience is holding you hostage, you are your audience, your audience can never be you, you need your audience, and you need to escape your audience. Social media; it's just the market's answer to a generation that demanded to perform so the market said, here, perform. The second emotional jump scare comes when Burnham monologues about how he stopped performing live because he started having panic attacks on stage, which is not a great place to have them. The monologue increases that sense of intimacy; Burnham is letting the audience in on the state of his mental health even before the global pandemic. The lead-in is Burnham thanking a nonexistent audience for being there with him for the last year. It's full circle from the start of the special, when Burnham sang about how he's been depressed and decided to try just getting up, sitting down, and going back to work. If the answer is yes, then it's not funny. The clean, tidy interior that first connected "Inside" with "Make Happy" is gone in its place is a mess-riddled space. It's a series of musical numbers and skits that are inherently about the creation of comedy itself. A part of me loves you, part of me hates you / Part of me needs you, part of me fears you / [. Down to the second, the clock changes to midnight exactly halfway through the runtime of "Inside.". The title card appears in white, then changes to red, signaling that a camera is recording. He's showing us how terrifying it can be to present something you've made to the world, or to hear laughter from an audience when what you were hoping for was a genuine connection. MARTIN: You know, about that, because it does move into a deeply serious place at some point. "Part of me needs you, part of me fears you. Who Were We Running From? Because there's also a little bit Bo Burnham the character in this almost. I was not, you know, having these particular experiences. It's a reprieve of the lyrics Burnham sang earlier in the special when he was reminiscing about being a kid stuck in his room. "A part of me loves you, part of me hates you," he sang to the crowd. By inserting that Twitch character in this earlier scene, Burnham was seemingly giving a peek into his daily routine. Performing "Make Happy" was mentally taxing on Burnham. Thank you so much for joining us. "Robert's been a little depressed," he sings (referring to himself by his birthname). I've been singing that song for about a week NOW. Burnham wrote out: "Does it target those who have been disenfranchised in a historical, political, social, economic and/or psychological context?". The video is an hour-long edit of footage that was deleted from the making of Inside. WebA grieving woman magically travels through time to 1998, where she meets a man with an uncanny resemblance to her late love. I like this song, Burnham says, before pointing out the the lack of modern songs about labor exploitation. But usually there is one particular voice that acts as a disembodied narrator character, some omniscient force that needles Burnham in the middle of his stand up (like the voice in "Make Happy" that interrupts Burnham's set to call him the f-slur). this breakdown of 31 details you might have missed in "Inside,". A college student navigates life and school while dealing with a unique predicament he's living with a beautiful former K-pop sensation. He's freely admitting that self-awareness isn't enough while also clearly unable to move away from that self-aware comedic space he so brilliantly holds. Parasocial relationships are neutral, and how we interact with them is usually a mixed bag. Is he content with its content? I actually felt true mutual empathy with someone for the first time, and with someone Ive never even met, its kinda funny.. Next in his special, Burnham performs a sketch song about being an unpaid intern, and then says he's going to do a "reaction" video to the song in classic YouTube format. I'm sitting down, writing jokes, singing silly songs, I'm sorry I was gone. Soering New insights from various parties come to light that raise questions about Jens Sring's conviction of the 1985 murders of his then-girlfriend's parents. our ranking of all 20 original songs from the special here. And I think the pandemic was a time when a lot of people were in this do I laugh or cry space in their own minds. When we saw that projection the first time, Burnham's room was clean and orderly. Instead, thanks to his ultra-self-aware style, he seems to always get ahead of criticism by holding himself accountable first. Went out to look for a reason to hide again. He's almost claustrophobically surrounded by equipment. Not putting a name on parasocial relationships makes the theme less didactic, more blurred while still being astutesuch sharp focus on the eyes, you dont notice the rest of the face fades into shades of blue. In this case, it's likely some combination of depression/anxiety/any other mental disorder. You know, I was not, you know, I was alone, but I was not trapped in one room. At the end of the song, "Inside" cuts to a shot of Burnham watching his own video on a computer in the dark. Not only has his musical range expanded his pastiche of styles includes bebop, synth-pop and peppy show tunes Burnham, who once published a book of poems, has also become as meticulous and creative with his visual vocabulary as his language. While sifting through fan reactions to Inside, the YouTube algorithm suggested I watch a fan-made video that pitch corrects All Eyes on Me to Burnhams actual voice. It has extended versions of songs, cut songs, and alternate versions of songs that were eventually deleted; but is mainly comprised of outtakes. At various points, the gamer is given the option to make the character cry. Inside is the work of a comic with artistic tools most of his peers ignore or overlook. For all the ways Burnham had been desperate to leave the confines of his studio, now that he's able to go back out into the world (and onto a real stage), he's terrified. In his new Netflix special, Inside, Bo Burnham sings about trying to be funny while stuck in a room. Burnham makes it textual, too. Just wanted to make sure everybody knew about Bo's comedy special transcripts on Scraps.

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